ceramics for the summer

This Summer, I decided to take on a new installation project after an April conversation with Jordan from Denver's Forest Room 5 (Restaurant, Bar, Lounge, Night Club, and more recently - Gallery).  The offer was simple, they have a newer large room (I call it the tree-house) where DJ's play out to crowds and the walls are dedicated to monthly art exhibits.  I decided to do an installation that I felt could interact with this thematically rich space.  Henceforth, a plan to create as many bells out of porcelain as I could and figure out a way to install them along a long wall in the space. I wanted to continue work that addresses a concept I've been addressing in my work lately - cryptic or obsolete language, while also creating a piece that interacts with the "trees" at Forest Room. 

I talked about cryptic language in an earlier post about a drawing I made for the Exquisite Corpse project at my gallery, GroundSwell.  The idea of creating works that have a message though the message is not entirely obvious or understandable to most, makes sense to me as a way of avoiding a didactic or even trite nature.  I have a subtle irritation with artwork that poorly uses statements or words (so obvious, too moralistic, awkwardly immature, etc.), so I try not to use words in my work.  ...lately, I can't help myself as I realize I can make the message or the words only known to me and maybe a few focused, intent, or just in-the-know individuals.  This work is about the obsolescence of bells and their "language" of timbre and pitch, timing and number, but it is also about the constant language of "ring tone" in the contemporary bell or chime known as a cell phone.  It's a note that says, "oh yeah, remember these?" to my peers and also says to the chicos, "Hey kids, this is what a ring tone used to come from!"  I know bells aren't extinct, but...  you know, I just love bells and I think it's interesting that I love something that is now becoming a sentiment or nostalgic item of antiquity.   This artwork is titled, Tinnient Campana. 

So this summer, I worked on Tinnient Campana for daaaaays at the Art Students League of Denver (which is awesome) with Barry Rose (who really knows his stuff when it comes to ceramics) to make by hand as many porcelain bells and clappers (the piece that strikes the bell from the inside) as I could.  There are 108 of them.  I'm exhibiting 99 in groups of 3.  The purpose of installing a large number is to identify the proliferation of "ring tones" in our lives and the relationship to the origin of the ring tone. All 33 sets of 3 go on exhibit this coming Saturday at Forest Room 5 (2532 15th Street Denver, Co 80211).  I hope you'll take the time to drop by and see this new work before the end of the show on October 2. 

painting mantras

This month my personal work has been dedicated to 2 projects, one of which is a group of paintings for Qi City Park's Yoga studio.  The entry foyer and studio have been the same for 2 years - just a move-in on a closed studio without giving the place a new look.  Alex Cordoba now manages this studio and she, along with some of her students (myself included) see the opportunity to create a setting with more intention around centering and the practice of yoga.  I'm making 3 large paintings for the foyer (the sort that will cover most of 2 wall areas creating a span of color, etc.).  Each one is an important mantra, invocation or dedication - simply the words on a vibrant color gradient.  My hope is for these words to meet each attending student with a call for intention and wakefulness in their yoga practice.  If anything, the paintings may make the place bright and colorful, cheerful and inviting.  Mantra - Gayatri, Dedication - The 4 Dharmas of Gampopa, and Invocation - Anusara invocation.  If applicable, the words in english are preceded by the texts' original language. 

Gayatri Mantra: 

Aum Bhur Bhuva Svah
Tat Savitur Varenyam
Bhargo Devasya Dhimahi
Dhiyo Yo Naha Prachodayat

On the absolute reality and its planes,
On that finest spiritual light,
We meditate, as remover of obstacles
That it may inspire and enlighten us.

The Four Dharmas of Gampopa: 

Grant your blessings so that my mind may be one with the dharma.
Grant your blessings so that dharma may progress along the path.
Grant your blessings so that the path may clarify confusion.
Grant your blessings so that confusion may dawn as wisdom.

Anusara Invocation: 

Om
Namah Shivaya Gurave
Satchidananda Murtaye
Nishprapanchaya Shantaya
Niralambaya Tejase
Om

I offer myself to the Light, who is the True Teacher within and without.
Who assumes the forms of Reality, Consciousness and Bliss,
Who is never absent and is full of peace,
Independent in its existence, It is the vital essence of illumination.

3115)| +! |(3121 East Colfax Ave.

MAD KING  In Transit  2011

Running the gallery at GroundSwell with Danette Montoya has been immensely enjoyable for me in the months since we opened in May 2011.  I find that I have more fulfilling and inspiring conversations with artists around Denver than I would have thought available to me.  I happily do this work and I'm inspired to keep on with my own art work.

The current show at the gallery with MAD KING is definitely worth a visit.  GroundSwell is open daily from 10a - 7pm and this show runs through November 8th.  If you're like me, you may find yourself brightened by MAD KING's layered patterns, colors, textures and characters.  I especially invite those interested in enriching their visual promotion and representation materials with the skillful and soulful imagery of this artist.
http://www.madkingproductions.com/

Finally, I want to share, through pictures (below), the happenings between 3115 East Colfax and 3121 East Colfax (GroundSwell).   Artists working this week, and pictured in the first photo here are Denver's own Max Kaufman and Nice One, Denver native, now working from Chicago. 

Max Kaufman and Nice One work out the details of what will be a very large mural on the side of GroundSwell Gallery and Cannabis Boutique

newest stencil in the past month

This wheat pasted painting appeared in the past month as well.  We're into that on our unpainted brick wall, but the stencil to the Right is totally inconsiderate of the brick material.  Boo.  Also, see left, part of Paul Langway's mural from last Summer on the low wall bordering the alley.

"Own Your Soul, Monster."  We're especially into the painting, being not the expected xerox, and the poeticism of this wheat paste.

In closing,
Thank you Denver Artists.

ART by CRAFT at REDLINE

I  am honored to show my work, Migration newly formatted as a stand-on-it's-own sculpture piece, at the Denver Handmade Alliance's Art by Craft exhibition this coming Saturday!  The show runs through October 16th and coincides with a craft Market held on Sunday Oct. 9th.  Exhibiting the work of the artists listed below, Art by Craft explores craft-based mediums in fine art.  I hope you will consider visiting!!

Migration (detail), Rebecca Peebles

Art by Craft Exhibiting Artists:

Adriane Horovitz & Marc Horovitz 
Andrea Thurber
Becky Wareing Steele
Beth Wood
Dea Webb
Hope Morgan of Haunted Sparrow
Lara Nickel
Martina Grbac
Pamela Webb
Patrice Washington
Rebecca Peebles
Sandra Fettingis
Sarah Wallace Scott
Vanessa Gochnour

lettering mantras

Dedication of Merit

By this merit may all attain omniscience.

May it defeat the enemy, wrongdoing.

From the stormy waves of birth, old age, sickness and death,

From the ocean of samsara, may I free all beings.

By the confidence of the golden sun of the great east,

May the lotus garden of the Rigden’s wisdom bloom.

May the dark ignorance of sentient beings be dispelled.

May all beings enjoy profound brilliant glory.

Studying mantras and poetry for a new project....  Such awesome study. 

Microclimates!

An installation art exhibition by
Rob Mack &
Samuel Schimek

Ripped from Microclimates' Info Page:  "The Super Ordinary Gallery in the RiNo art district of Denver, CO will be transformed for two months into a large scale graphic art environment. Three distinctive microclimates will lead the viewer on an exciting visual journey using life scale graphic installations. Denver Underground artists Samuel Schimek and Rob Mack have come together to manifest this exhibition and will be using their skills in graphic design, found object, and the collaborative art experience. Leading up to the exhibition, viewers are invited to become involved from the ground up by following the online campaign via facebook, twitter, and the website. Followers will have the opportunity to experience exhibition production and see how this exciting collaboration will come together. 

During the opening of this exhibition on June 4th, event attendees will have a chance to see the full collaborative power of the Denver art scene. In addition to the exhibition there will be a live fashion show by Denver Designer, Hol Sum, special music project integrated with the graphic environment, and special art POP-Up store containing purchasable pieces of the graphic environments."

This is the work that I'm working on! Hol Sum will produce garments that are integral to the graphic, thematic and environments of the Microclimates exhibition. We are even having fabric printed with graphic elements directly related to the designs produced by Rob and Samuel! Working with these two is a great opportunity for me. Microclimates is a challenge that we're all excited for because Denver needs it's artists and designers to stand up, stand out, and represent this awesome city of creative industry!

If you haven't already, please consider supporting our project on Kickstarter!! Anything you can give will contribute to the Kickstarter grant program - if we can rase our minimum, then Kickstarter doubles it! If we can't raise our minimum, we get nothing. Let's get the minimum!!! Thank you for your help, and please pass on our information to anyone who supports the arts, supports real culture in their cities, and wants to support people who work very hard at what we do!