About You

About You, Rebecca Peebles, 22" x 30," graphite, pen & colored pencil on paper

For the June show at GroundSwell Gallery (where I curate with Danette Montoya), we hosted a group show under the concept of Exquisite Corpse drawing.  Most versions of Exquisite Corpse drawing projects incorporate the rule that each artist participating has no idea what the other artist(s) are doing. The rules for our version also included that each artist creates a drawing using the same media and must utilize pre-drawn "starter marks" that connect each drawing to a left and a right drawing (see images).  I decided to participate with the project because I wanted to get in on that "surprise" feeling of putting all the finished work together to see what it all looks like, and of course I like to draw.

 The task of drawing "whatever I want" seemed simple at first.  Then the anticipation for the unknown drawings on left and right...  I had to put aside my tendency to plan and just let loose with the drawing. The only control I seemed to have (or thought I had) was effectively using those "starter marks" drawn from my margins across to anothers' margins.  I tried to think of them as bridges to another drawing.  Anyway, the drawing was satisfying work.  I felt explorative with the media that I wouldn't usually combine in one work.  I enjoyed placing my mind upon the irrationality of Surrealism and Dada (the art movements which originated Exquisite Corpse drawing) and letting go.  My drawing, titled, About You started with drawing my hands (seemed like a good place to start) and ended with a sensual and dynamic drawing.  I couldn't help but to footnote (in sign language) the main line from the Divynals 1990 hit song, I Touch Myself: "When I think about you, I touch myself." 

Putting all 16 artists' drawings together was, as expected, a delightful surprise.  Each juxtaposition of drawing to drawing was uniquely interesting and unexpected.  To see images of the works (each including some of the left and right "neighbors"), please visit GroundSwell Gallery's website.

James Llorca Garcia Marquez

A good Denver artist, James Llorca Garcia Marquez is leaving.  I'm staying, but I don't blame him, and I sympathize with his statements made in this Westword article about his departure to NYC.  I have 2 small pieces of his, tiny books, that I found while working at Hooked on Colfax, and I often feel grateful about the inherent generosity of having them.    I looked forward to seeing where this artist would begin to show in Denver and how he might grow.    Anyway, I'll miss this guy.

Composite, Physiognomic

I  too want Denver to start paying attention to Denver's artists and quit remarking on "how expensive" art is.   At least give these artists the honor of never knowing that you think the work is "expensive" - it is a matter of opinion after all - because art, when it is really art, is too important a thing to make such tactless remarks about dollars.
To James,
I hope you keep working.  Good luck and Farewell.

Takeo Hiromitsu

Matrimonial Kosmonauts mixed media on panel 17x43"

GORG mixed media on panel 14x14"

Prints and paintings by Takeo Hiromitsu are now showing at GroundSwell Gallery.  It's been a roller coaster of learning "how to do this gallery thing" with Danette, but I at least realize where the upsides are really up.  Month after month, we have these talented, serious, hard working artists bringing good art to our new(ish, 8 months!) space on East Colfax Ave, Denver, and the coming scheduled months bring more of them.  Denver's artists aren't dreamers.  They're doers.  The art is here and we're not the only space to show for it.  We hope you'll visit GroundSwell and see Takeo's work in our bright little gallery.  Take time to look at the details, see the narrative of this "self exist(ing) to connect with the cosmic creative energy that has churned time."  Mr. Hiromitsu's paintings and prints reconnect us with the chaos and fury of living that ultimately settles us out as we find our flow.

bigheadsmallcrown Lithograph print 25x20"

Takeo Hiromitsu
paintings and prints
on view at GroundSwell Gallery
Through February 7, 2012

3121 E. Colfax Ave.
Denver, CO 80206

GroundSwell is open
Monday - Sat. 11a - 7p and
Sundays 12 - 6pm

for more information or a scheduled viewing, please email:
rebecca@groundswelldenver.com
danette@groundswelldenver.com 

painting mantras

This month my personal work has been dedicated to 2 projects, one of which is a group of paintings for Qi City Park's Yoga studio.  The entry foyer and studio have been the same for 2 years - just a move-in on a closed studio without giving the place a new look.  Alex Cordoba now manages this studio and she, along with some of her students (myself included) see the opportunity to create a setting with more intention around centering and the practice of yoga.  I'm making 3 large paintings for the foyer (the sort that will cover most of 2 wall areas creating a span of color, etc.).  Each one is an important mantra, invocation or dedication - simply the words on a vibrant color gradient.  My hope is for these words to meet each attending student with a call for intention and wakefulness in their yoga practice.  If anything, the paintings may make the place bright and colorful, cheerful and inviting.  Mantra - Gayatri, Dedication - The 4 Dharmas of Gampopa, and Invocation - Anusara invocation.  If applicable, the words in english are preceded by the texts' original language. 

Gayatri Mantra: 

Aum Bhur Bhuva Svah
Tat Savitur Varenyam
Bhargo Devasya Dhimahi
Dhiyo Yo Naha Prachodayat

On the absolute reality and its planes,
On that finest spiritual light,
We meditate, as remover of obstacles
That it may inspire and enlighten us.

The Four Dharmas of Gampopa: 

Grant your blessings so that my mind may be one with the dharma.
Grant your blessings so that dharma may progress along the path.
Grant your blessings so that the path may clarify confusion.
Grant your blessings so that confusion may dawn as wisdom.

Anusara Invocation: 

Om
Namah Shivaya Gurave
Satchidananda Murtaye
Nishprapanchaya Shantaya
Niralambaya Tejase
Om

I offer myself to the Light, who is the True Teacher within and without.
Who assumes the forms of Reality, Consciousness and Bliss,
Who is never absent and is full of peace,
Independent in its existence, It is the vital essence of illumination.

Rozie Vajda at GroundSwell - through Jan. 10

I call this a successful art opening.  The highly detailed and exquisitely constructed characters that are Rozie Vajda's marionettes now grace GroundSwell Gallery.  I am so proud to curate with such a talented and hard working artist!

Please visit the gallery before Jan. 10, 2012 to see this incredible show. 

Below, please find Rozie Vajda's artist statement. 

"I work with found objects. Some discarded, some given, others forgotten, all rediscovered and repurposed. I help these treasures discover a new life with new companions in a new story.

My studio has a floor to ceiling collection of these found, gifted, and salvaged treasures and art parts collected over a lifetime. Chosen for the emotion as much as the aesthetic, in this show can be found roots, twigs, and seaweed, accordion parts and the keys to my first car. When these parts make their way into my art, so too do the people, places, and experiences they represent.

In these most recent pieces, my explorations with assemblage art, doll-making, sewing and felting have come together in a whimsical way that surprises and delights me. With the pull of a string these characters come to life with motion and dance."

-Rozie Vajda